No. 8

Conflict and reconciliation are the charm of jazz music and the core design motivation of this poster. The collision design is adopted in graphics and color, breaking the layout of the mesh grid to give visual language the possibility of self-consistent conflict within the scale. Rockwell font, as the center of visual gravity, gives the work some academic hints of classicism in a new trending context, which also explains the connection between jazz and the audience as a vanguard music genre absorbed by the academics.